CM1s
A genuine “best of both worlds” product range. In combining understated, classic looks with some of the highest performance electro-acoustic technology, the CM series is the perfect speaker when discreet, yet immensely musical and unfailingly accurate performance is required.


603s
Slimmer than its predecessor, the DM603 S3 is a 2-way floorstander. The lower 165mm aluminium cone driver features B&W's mushroom construction and is restricted to bass frequencies only, where it operates in parallel with the Kevlar® cone bass / midrange driver. The reduced excursion demand on the bass / midrange unit reduces distortion, not only in the bass, but also in the midrange when accompanied by heavy bass. The result is greater clarity at higher replay levels.


705s
Along with the 703, 704 and HTM7, the sloping top and front baffle are formed from a single piece of ply, using the same technique used to form the Nautilus 800 Series cabinets. This makes the cabinet stronger than if two separate panels had been used and the curved profile of the lip in front of the tweeter benefits the that driver's response by reducing diffraction from any sharp edge.


704s
The smaller of the two floor-standers in the Series and is a 2-way system. Bass frequencies are produced by both cone drivers operating in parallel. To maintain a better vertical dispersion of sound, the lower driver is progressively attenuated above 150Hz to leave the upper Kevlar® cone driver operating alone through the midrange.


703s
A full 3-way design. Twin bass drivers, their stiff paper/Kevlar® cones further strengthened by our unique girder-like mushroom construction, work in parallel in a Flowport-tuned cavity to handle all the bass frequencies.

Freed from the need to produce any bass signals, the FST dedicated midrange driver operates in its own isolated cavity within the cabinet. The combination of its woven Kevlar® cone and mechanically matched outer suspension enables this driver to portray the finest nuances in the signal, giving instruments their correct timbral character and positioning them accurately on the sound stage.